ƬÃû£º³óªÊÂʵ
µØÇø£ºÃÀ¹ú
ÀàÐÍ£º¾çÇé ϲ¾ç °®Çé
ÓïÑÔ£ºÓ¢Óï
µ¼ÑÝ£ºÂÞ²®Ìط·¿ËµÙ¿Ë Robert Luketic
Ö÷ÑÝ£º¿­ÉªÁÕ·º£¸ñ¶û Katherine Heigl

½ÜÀ­µÂ·°ÍÌØÀÕ Gerard Butler

²¼Àï·ÌØÄÉ Bree Turner

°¬Àï¿Ë·ÎÂÌØ Eric Winter

Äá¿Ë·Î÷Èû Nick Searcy

ÇÐÈ𷺣¶÷˹ Cheryl Hines

Ô¼º²·Âõ¿Ë¶û·ÐÁ¼ªË¹ John Michael Higgins

µçÓ°½éÉÜ

°¬±È·Àï¿ËÌØ£¨¿­ÉªÁÕ·º£¸ñ¶ûÊΣ©ÊÇһλÔç¼ä½ÚÄ¿µÄÖÆƬÈË¡£ÊÂÒµ³É¹¦µÄËýÒ»Ö±ÔÚÑ°ÇóÍêÃÀÏÈÉú£¬Îª´Ë»¹×¨Ãŵ÷²éÓëËýÔ¼»á¶ÔÏóµÄ×ÊÁÏ¡£Ò»Ì죬ÀÏ°åÏòËýµÄ½ÚÄ¿×é½éÉÜÁËһλ·Ç³£ÓÐ×ÔÎÒÖ÷¼ûµÄÐÂͬÊÂÂõ¿Ë£¨½ÜÀ­µÂ·°ÍÌØÀÕÊΣ©¡£°¬±È¶ÔËûµÄ´ÖË×ÓïÑԸе½·Ç³£Ñá¶ñ¡£Óë´Ëͬʱ£¬°¬±ÈÓö¼ûÁËһλ¸Õ°á½ø¶ÔÃæÎÝ×ӵĴÏÃ÷¡¢Ë§Æø¡¢ÊÂÒµ³É¹¦µÄÕûÐÎÍâ¿ÆÒ½Éú¿ÆÁÖ£¨°¬Àï¿Ë·ÎÂÌØÊΣ©¡£¿ÆÁÖÊÇÄÇÖÖÅ®º¢×ÓÃÎÃÂÒÔÇóµÄµ¥Éíºº£¬Òò´Ë×ÔÈ»µØËû³ÉΪÁË°¬±ÈÐÄÖеÄÍêÃÀÏÈÉú¡£

Âõ¿ËÈÏΪ°¬±ÈÈç¹ûÓÃËý×Ô¼ºµÄ·½·¨ÊÇÎÞ·¨»ñµÃÍâ¿ÆÒ½ÉúµÄ×¢Ò⣬Òò´ËËû×Ô¸æ·ÜÓµØÌá³öµ£Èΰ¬±ÈµÄ“¾üʦ”£¬²¢¸æÖªÈÃÄÐÈËÓëÅ®ÈËÒ»ÆðµÄ“³óªÊÂʵ”¡£¶ø°¬±ÈÒ²ÒòΪËûµÄÒ»¾ä“²»³É¹¦ÎÒÀ뿪½ÚÄ¿×锵ijÐŵ¶øͬÒâÁË¡£ÔÚ“¾üʦ”µÄÒ»·¬´òÔìÏ£¬°¬±ÈÏԵøü¼ÓÃÔÈË£¬»ëÉíÉ¢·¢×ÅÅ®È˵Ä÷ÈÁ¦£¬²¢Çҳɹ¦Óë¿ÆÁÖÔ¼»á¡£È»¶øÏà´¦¾Ã֮ϣ¬Âõ¿ËÓë°¬±ÈÖ®¼äËƺõ·¢ÉúÁËһ˿΢ÃîµÄ»¯Ñ§·´Ó¦……

Ä»ºó»¨Ðõ

µ¼ÑÝÂÞ²®Ìط·¿ËµÙ¿ËÊ×´ÎÖ´µ¼µÄӰƬ¡¶ÂÉÕþÇμÑÈË¡·ÉÏÓ³ºó¼´»ñµÃ²»Ë׵ijɼ¨¡£µ±Äê¸ÃƬ²»½öÈ¡µÃ½ü1ÒÚÃÀÔªµÄƱ·¿£¬¶øÇÒ»¹»ñµÃÁ½Ïî½ðÇò½±ÌáÃû¡£2008Ä꣬ËûÖ´µ¼Á˸çÂ×±ÈÑÇÓ°Òµ¹«Ë¾µÄÈÈÃŵçÓ°¡¶¾öʤ21µã¡·£¬Ó°Æ¬µÄÁé¸ÐÀ´×ÔÓÚÃÀ¹úÒ»¸ö¹ØÓÚһȺÖÇÁ¦³öÖڵĴóѧÉúÈçºÎ´Ó¶Ä³ÇÀ­Ë¹Î¬¼Ó˹ӮµÃÊý°ÙÍòÃÀÔªµÄÕæʵ¹ÊÊ¡£¶øÔÚÕⲿӰƬ֮ǰ£¬Â·¿ËµÙ¿Ë»¹Ö´µ¼ÁËÂô×ùӰƬ¡¶¹ÖÊÞÆÅÆÅ¡·ºÍÀËÂþϲ¾ç¡¶Å¼ÏñÓÐÔ¼¡·¡£Èç½ñ£¬ËûÕýÖ´µ¼Ò»²¿ÓÉ°¬Ê²¶Ù·¿â³¹ºÍ¿­ÉªÁÕ·º£¸ñ¶ûÖ÷ÑݵĶ¯×÷¾ªã¤Æ¬¡¶Îå¸öɱÊÖ¡·£¬¸ÃƬ³õ¶¨ÓÚÃ÷ÄêÁùÔÂÉÏÓ³¡£

ӰƬ¡¶³óªÊÂʵ¡·Í¬ÑùÓÉ¿­ÉªÁÕ·º£¸ñ¶ûµ£ÈÎÅ®Ö÷½Ç£¬Ö»²»¹ýÕâÀïËýµÄ“̸Çé¶ÔÏó”ÊÇ¡¶300ÓÂÊ¿¡·ÀïµÄÄÇλÓÂÃÍսʿ½ÜÀ­µÂ·°ÍÌØÀÕ¡£¿­ÉªÁÕÔÚÊ®ÎåËêµÄʱºò¾ÍÒѾ­µÇÉϵçÊÓÆÁÄ»£¬Ëýµ±Ê±³öÑÝÁ˸ù¾Ý·¨¹úϲ¾çƬ¸Ä±àµÄµçÊӾ硶ÎҵİְÖÊÇÓ¢ÐÛ¡·£¬ÔÚÀïÃæÊÎÑÝÒ»¸öÀë»é¼ÒÍ¥µÄÅ®¶ù¡£´Ëºó£¬Ëý»¹³öÑÝÁË¡¶±©×ßDZÁú2¡·¡¢¡¶¹íÍÞÐÂÄï¡·¡¢¡¶È¦Ìס·µÈӰƬ¡£È»¶ø×îÖÕÈÃËý´Ó´Ë·¢¹â·¢ÁÁµÄÊÇËýÔÚÃÀ¹úÈÈÃŵçÊӾ硶ʵϰҽÉú¸ñÀס·ÖеijöÉ«±íÑÝ£¬Æ¾´ËËý»ñµÃ2007Äê°¬ÃÀ½±µÄ×î¼ÑÅ®Åä½Ç½±¡£Ö®ºó£¬ËýÔÙ´ÎתÏò´óÒøÄ»£¬Ö÷ÑÝÁË¡¶Ò»Ò¹´ó¶Ç¡·ºÍ¡¶ÐÂÄï¿¿±ßÉÁ¡·£¨ÓÖÃû¡¶27Ì×Àñ·þ¡·£©Âô×ùϲ¾çƬ£¬ÈÃËý³ÉΪºÃÀ³Î뵱ǰÖËÊÖ¿ÉÈȵÄÃ÷ÐÇÖ®Ò»¡£¿­ÉªÁÕÔÚ½ÓÊܲɷÃʱ˵£º“ÎÒºÜϲ»¶ÄêÇáµÄ¹ÛÖÚ£¬Ï²»¶ÕâÀàµçÓ°£¬ÎÒÒÀÈ»ÏëÏòºÍÎÒÒ»ÑùÄê¼ÍºÍÎÒͬʱ´úÈËÃǽ²ÊöÕæʵµÄ¹ÊÊ¡£”

¿­ÉªÁÕ·º£¸ñ¶û¼ÌÐøÑÝ´ËÀàϲ¾çµçÓ°£¬ÈËÃÇÒ²Ðí²»»á¾õµÃÓÐʲôÆæ¹Ö¡£È»¶ø£¬Æ¾½è´óÐͶ¯×÷µçÓ°¡¶300ÓÂÊ¿¡·Ò»ÅÚ¶øºìµÄ½ÜÀ­µÂ·°ÍÌØÀÕ³öÑÝÕâÀàϲ¾çµçÓ°£¬»¹µÄÈ·ÈÃÈ˸оõµ½ÐÂÆæ¡£ÊÇʲôԭÒòÈÃËû³öÑÝÕⲿӰƬµÄÄØ£¿Ëû½ÓÊܲɷýâÊÍ˵µÀ£º“ÎÒ²ÎÑÝÕⲿӰƬÖ÷ÒªÔ­ÒòÖ®Ò»ÊÇÒòΪÎÒÕýÅÄÉãÁíÒ»²¿¶¯×÷µçÓ°£¬ÎÒÔÚÀïÃæ°çÑݵĽÇÉ«·Ç³£ºÚ°µÇÒÄÚÐĸ´ÔÓ¡£ÍíÉÏ£¬ÎÒ»áºÍºþÅϹ«Ë¾µÄһЩ¼Ò»ï³ÔÍí²Í£¬ÎÒ»á˵һЩ°¹ÔàºÍ´ÖË×µÄЦ»°£¬È»ºóËûÃÇ»á¼ÌÐø˵һЩ“³óªÊÂʵ”¡£ÎÒ´ÓûÓп´¹ýÄǾ籾£¬×îºó£¬ÎÒ¿´Á˲¢Ëµ‘ºÃ£¬ÎÒ½Ó°®’¡£ºÜÆæ¹ÖµÄÊÇ£¬ÎÒ»¨Á˺ü¸Ìì²ÅÕÒµ½Îҵĸоõ¡£µÚÒ»Ì죬ÊÎÑÝÕâ¸öÓÐÃÀ¹ú¿ÚÒô½ÇÉ«µÄÎÒÕæµÄºÜ½ôÕÅ£¬×ÜÊÇÍü¼Ç×Ô¼ºµĄ̈´Ê¡£Óкü¸Ì춼ÕâÑù¡£Ã¿Ò»´ÎÃæ¶Ô¿­ÉªÁպͱØÐëÃþËýÍ··¢µÄʱºò£¬ÎÒÒ²»áºÜ½ôÕÅ¡£ÒòΪËýÊǸö·Ç³£ÓÐ÷ÈÁ¦µÄÅ®ÈË¡£”

ӰƬ±à¾ç¿¨Â×·Âó¿¨À­·ÀÍÌØ˹ºÍ¿Ë¶û˹ëø·Ê·ÃÜ˹ÊǼ̡¶ÂÉÕþÇμÑÈË¡·Ö®ºóÔÙ´ÎÓëµ¼ÑÝÂÞ²®Ìط·¿ËµÙ¿ËºÏ×÷¡£ÔÚ¹ýÈ¥ÎåÄêÀïÀÍÌØ˹ÓëÊ·ÃÜ˹Á½È˶¼ÊÇÔÚÒ»Æð½øÐÐд×÷£¬Ê·ÃÜ˹½âÊÍ˵£º“ÒÔÇ°ÎÒÃÇÊÇ·Ö¿ª¶ÀÁ¢Ð´£¬È»ºóÎÒÃÇ»áÖØд¶Ô·½µÄ¸å×Ó¡£µ«ºóÀ´µ±ÎÒÃÇÒ»Æð´¦Àí¹ÊÊÂÇé¾°µÄʱºò£¬ÎÒÃÇÒâʶµ½Ò»Æð¹¤×÷ÓÐȤ¶àÁË£¬È»ºóÎÒÃÇϲ»¶ÖØдÎÒÃǹ²Í¬µÄ´´×÷£¬¶ø²»ÊÇÉè·¨½«ÎÒÃǵÄÒâ¼ûÇ¿¼Óµ½ÁíÒ»¸öÈË´´×÷Àï¡£”ÔÚËûÃÇ¿ªÊ¼Ð´ÕⲿӰƬ»¹Ã»ÓÐË­µ£ÈÎÀïÃæµÄ½Çɫʱ£¬ËûÃÇÒѾ­ÏëºÃÒªÈÿ­ÉªÁÕ×öÅ®Ö÷½ÇÁË¡£ÀÍÌØ˹˵£º“ÎÒÃÇÒÔÇ°ÒѾ­¼û¹ýËý£¬¶øÇÒÎÒÃÇÊÇËýµÄ·ÛË¿¡£Òò´Ëµ±¾ç±¾Íê³Éºó£¬ÎÒÃǾÍÉÌÁ¿×ÅÓ¦¸ÃÓÉÄÄλÀ´ÑÝ£¬µ±Ê±ÎÒÃÇÄÔÀï¾ÍÏë×Å¿­ÉªÁÕÊÇ×î¼ÑÈËÑ¡¡£”Ê·ÃÜ˹Ôò²¹³ä˵µÀ£º“°¬±ÈÕâ¸ö½ÇÉ«ÊÇȱÏݵģ¬Í¬Ê±ÓÐȤ£¬ÊÇÕæÕýʵÁ¦ºÍƬ¿Ì¿ñ»¶Õâ¸öÈõµãµÄÓÐȤ½áºÏ¡£¿­ÉªÁÕÔÚÕâ·½Ãæ×öµÄºÜºÃ£¬ºÃÏñ¾ÍÊÇËý×Ô¼ºËƵÄÄÇô×ÔÈ»¡£”

ӰƬÃèÊöÁËÄÐŮ֮¼äµÄÕù¶·£¬¶Ô´ËÄÐÅ®Ö÷½Ç¸÷×Ô²ûÊöÁËËûÃÇÏë·¨¡£¿­ÉªÁÕ˵£º“ÎÒ²»ÄÜ´ú±íÄÐÈË·¢ÑÔ£¬ÒòΪÎÒÉí±ß²¢Ã»ÓкܶàÏñӰƬÖÐÂõ¿ËÓÐÄÇÑùµÄÐÐΪ¡£ÎÒÓкܶàÄÐÐÔÅóÓÑÏñËûÄÇÑù¿ªÍæЦ£¬µ«Êµ¼ÊÉÏËûÃDz¢²»ÏàÐÅÄÇЩ¡£ÎÒÖªµÀ£¬ÖÁÉÙ¶ÔÎÒºÍÎÒµÄÅóÓÑÀ´Ëµ£¬°¬±ÈÖ»ÊÇÓÐÄÇôһµãС¿äÕŵÄÅ®ÐÔ¡£ÎÒÏëӰƬ×îÖØÒªµÄ²¿·ÖÊÇÌÖÂÛ²»¹ÜÄÐÅ®Óж಻ͬµ«Äã»áÈçºÎÍ×Э¡£Äã²»±Ø¿ÌÒâµØÈ¥ÍêÈ«¸Ä±ä×Ô¼ºÈ¥¸½ºÏÄãÏëÒªÔÚÒ»ÆðµÄÈË£¬µ«Äã±ØÐëÒªÓÐһЩÍ×Э¡£Äã×Ô¼º±ØÐëÒª·Å¿ªÒ»µã¡£ÀÏʵÓë²»¹ËÒ»ÇоÍÖ»ÊÇÒ»ÏßÖ®²î¶øÒÑ¡£”

½ÜÀ­µÂÔò˵µÀ£º“×÷ΪÄÐÈË£¬ÎÒÃÇ´Ó²»ÖªµÀÅ®ÈËÃǽøÁËÏ´ÊÖ¼äºó»á̸ÂÛʲô£¬ËýÃÇ×ÜÊÇÒ»Æð½øÈ¥¡£¶øͬÑùµÄ£¬Å®ÈËÒ²´ÓûÓÐÕæÕýÁ˽âÄÐÈËÕæÕýËùÏëµÄ¡£ÎÒÏëÕâÊǵÚÒ»²¿½«ÄÐÈËÕæʵÏ뷨˵³öÀ´µÄµçÓ°¡£Í¨¹ýÎÒÃǵÄÓÎÏ·£¬ÎÒÃǵÄÈõµãºÍÎÒÃǵÄȱÏÝ£¬Æäʵ×îÖÕÎÒÃǶ¼ÔÚ×·ÇóÒ»¼þÊ£¬ÎÒÃǶ¼ÏëÓиö»ï°é£¬¶¼ÏëµÃµ½ÓÑÒê¡£ÎÒÈÏΪӰƬÖÐÄÐŮ֮¼äµÄ¶·ÕùͬʱҲÊǹÛÖÚÖ®¼äµÄ¶·Õù¡£ÎÒ¾õµÃµçÓ°ºÜ°ô£¬ÒòΪËüÕæʵ²ûÊöÁËË«·½µÄ¼ÛÖµ¹Û¡£ÎÒÏëµ±·Å³öÕâЩÇ龰ʱ£¬¹ÛÖÚ»á¸Ðµ½·Ç³£Õ𾪺ÍÒâÍâ¡£ÄÐÈË¿ÉÄÜ»áÏ둸ÐлÉϵÛÓÐÈË˵Á˳öÀ´’£¬¶øÅ®ÈË¿ÉÄÜ»áÏë‘ÄãÖªµÀʲô£¿ÎÒÔç¾ÍÖªµÀÁË¡£ÎÒ¸ÃËÀµØÁ˽⡣’ÄǾÍÊÇΪʲôµ±Ó°Æ¬·ÅÓ³³öÀ´Ê±ÄܸøÈË´øÀ´¾Þ´óµÄ°²Î¿¡£”

»òÐí͸¹ýÕⲿӰƬ¿ÉÒÔÈÃÅ®ÈË»òÄÐÈ˸ü¼ÓÁ˽â¶Ô·½£¬ÓÖ»òÕßÅ®ÈË¿ÉÒÔÔÚÕⲿӰƬѧµ½Ä³Ð©ÎüÒýÄÐÈ˵ķ½·¨£¬µ«ÎÞÂÛÔõÑù£¬Å®ÈËÓëÄÐÈ˵Ľ»Íù²»Äܹ⿿±íÃ棬¶øÓ¦¸ÃÊÇ·¢×ÔÄÚÐÄ¡£

Ô¤¸æƬ

http://player.youku.com/player.php/sid/XMTA5MjY3NjY0/v.swf

³óªÊÂʵ Ó¢ÎÄÓ°ÆÀ

The Ugly Truth Movie Review

An independent woman gets some valuable advice from a macho pig
by Roger Ebert

Katherine Heigl and Gerard Butler are so pleasant in "The Ugly Truth" that it’s a shame to spoil their party. But toil and try as they do, the comedy bogs down in relentless predictability and the puzzling overuse of naughty words.

Once the movies were forbidden to drop the f-word at all, but in this one, it’s only an opening salvo in a potty-mouth bombing run. Heigl plays Abby, producer of the early morning news on a Sacramento station that is operated like no other station in the history of television. Anchored by a bickering married couple, the broadcast is tanking in the ratings, and so her boss forces Abby to bring in Mike Chadway (Gerard Butler), a macho local cable personality whose ideas about the battle of the es date back to about Alley Oop.

On his first appearance, he departs from his script, diagnoses the anchor as the victim of his control-freak wife and suggests they’ve probably stopped sleeping together. “This is great!” the station manager raves, despite that the that segment runs so long, it steps on the first five minutes of the network morning slot.

Abby is a raving beauty who of course can’t find a man, maybe because her standards are those of a perfectionist. A handsome young orthopedic surgeon (Eric Winter) comes within her sights, after she twists an ankle falling from a tree outside his bedroom window watching him dry off after a shower while she was trying to rescue her cat. That’s the sort of thing, wouldn’t you agree, that happens all too rarely in life?

Mike, the rugged -talk guru, tells her she’s making all the wrong moves if she ever wants to catch this guy and starts coaching her. So which guy does she end up with? Guess. The movie leaves not a stone unturned, including the semi-obligatory Beauty Makeover Montage, during which Mike advises her on the requirements of a push-up bra and tells her to acquire longer hair. Uh, huh. And when the doc takes her to a ballgame, Mike broadcasts instructions to her earphone, just as a producer might speak into an anchor’s earpiece.

There’s one scene with real comic possibilities, but it doesn’t pay off. Mike gives her a pair of remote-controlled, battery-powered vibrating panties. (Yes, they actually manufacture such items. Isn’t the Web a useful resource?) Abby, the silly girl, foolishly decides to wear these to a business dinner and takes along the remote control, for reasons it is hard to explain. A kid at a nearby table grabs the remote control. We all know what’s coming, and Heigl makes a real effort, but I’m afraid Meg Ryan’s restaurant orgasm in "When Harry Met Sally" remains the gold standard in this rare but never boring category.

The TV news as portrayed in the film makes "Anchorman -- The Legend of Ron Burgundy" look like a documentary. Every segment can run as long as necessary. Macho Mike ad libs everything. Yes, he’s good for ratings, but if after a few days, he’s really pulling in a 12 in the 5 a.m. hour, in prime time he would outscore the Oscars. And TV cameras do not usually follow newsmen out of the studio and into the street and watch whatever they do — although if it were funnier, we might not mind.

Again, Katherine Heigl and Gerard Butler are awfully nice here but the movie does them in. Amazing that this raunchy screenplay was written by three women. At its conclusion, I am forced to report, it provides abundant evidence of my belief that a good movie has rarely featured a hot-air balloon.

The Ugly Truth: Movie Review By Lexi Feinberg

Love At First Fight

Here comes another standard movie about the dating escapades of beautiful, successful, foolish-in-love white folks. "The Ugly Truth" has absolutely nothing new to say and is, at best, a gimmicky fantasy, despite star Katherine Heigl's claim that it feels like "two people … coming together in a [grown-up] world, not the cartoon version."

In this ever-so-reality-based story, Abby (Heigl) is a morning show producer in Sacramento who hopes to boost ratings without selling her soul. No such luck as her superior hires Mike (Gerard Butler), an outspoken, ist pig for a he-said dating segment called, what do you know, "The Ugly Truth." Naturally, they lock horns instantly, in that ual tension kind of way.  www.130q.com

In addition to acting as the network's love-themed Bill O'Reilly, he starts shelling out romantic advice to Abby, who fancies the waxy, bland hunk next door (Eric Winter). Stop being yourself, he says. Instead act as both a stripper and a librarian, laugh at everything he says, never criticize him and definitely don't mention any of your problems.

As Mike coaches Abby to win over the chiseled doctor, he starts to realize, gosh, she's kind of swell (seems like "He's Just Not That Into You" déjà vu). He may play a barbaric jerk on TV, but deep down he's a sweetie, really; his adoring nephew would vouch for him. Admittedly, Butler ("300") is a riot in this part, channeling Tom Cruise's trash-talking character in "Magnolia" -- he's always fun to watch, even though you wish he could be superimposed into a better movie. Same goes for Heigl ("27 Dresses"), who has supreme comic timing despite her pin-up girl looks. She's particularly droll in a scene where she has dinner with higher-ups while wearing vibrating underwear, and enjoys her entrée just a bit too much.

"The Ugly Truth" isn't terrible, but it screams of been-there-done-that. Director Robert Luketic (who helmed the grotesque "Monster-In-Law") goes through the motions and lacks a signature touch. Not that he has much to work with: The script from Nicole Eastman, Karen McCullah Lutz and Kirsten Smith is too blah and obvious for its own good ("I liked caviar until I realized it was made of fish eggs!" says Bree Turner in a supporting role). You won't need a compass to figure out where this story is going every inch of the way.

The film relies entirely on the chemistry between Heigl and Butler -- though he could likely have sparks with a lamp post -- and scattered moments of broad humor. Like one of Abby's botched dates early on, it fails to leave any kind of lasting impression.